Sue Burbidge

Trees waiting for ideas.

You are met by disassembled trees, stacked and drying in the air – one year for every inch. Vertical slices, sections, a CT scan but not an image, the real thing.

 

You sort and sift until something catches your eye. This may be a prized burr or ripple, something ready for firewood or just “too far gone”.

You store it in the cellar under the house, wait for it to settle, watch it, smell it.

You plane each board to clean off the dirt and saw marks, waiting for an image to appear, a photograph slowly developing.

You learn the grain direction, changes, the colours emerging, areas of fragility, damage, disease; hard oak, forgiving cherry.

Ideas begin to form – vertical, horizontal, dark and light, what will stand on its own what needs support.

 

 

Damaged Goods. A series of boxes, a low table.

At the sawmill lying on the floor are several large boards of oak, quite dark, fractured, split, scarred, burr, large holes. Someone has sent it back because it was unworkable, too far gone. You buy two boards.

It is as hard as granite, blunts the plane blades, it fights and resists. My bones ache. Some small boxes appear, one, a hole goes all the way through. The last three feet has a large hole, it becomes a low table the undulations left in.

One board is still waiting.

Comments

24/10/2015

Yasmin Raphael

Stunning work! I love the individuality of the pieces and the way that you have made a feature of the wood's 'imperfections' and asymmetry. I would love to see the pieces at an exhibition.

17/08/2013

David Thacker

Brilliant woodworking! Character and style in abundance.

23/09/2012

ANGIE LININGTON

I really love wood and these pieces are so beautiful I can almost smell the wood. Gorgeous!

19/06/2012

Neil Milton

I love thins like this.

31/05/2012

Alexandra Gordon

Fabulous - fabulous - fabulous! I have a bit of a passion for boxes - now I have a bit of a passion for your boxes.

21/03/2012

Cecilia Montague

I like the contrast between the more traditional pieces such as the boxes and the more abstract designs with off-cut sections of wood.

S Harris

I am a huge fan, what a talented lady.

I'm hoping to see more of your work at the xmas exhibition- do you ever do commissions ?

Stephanie

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